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OUR
POST-SOVIET HISTORY UNFOLDS by
Eleanor Lerman |
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Richard
Stern writes, "Eleanor Lerman's 1970s books, Armed
Love and Come the Sweet By and By, contained
some of the most powerful, beautiful, and original poems
ever written by an American poet...Then...twenty plus years
of silence. Now, amazingly, Eleanor Lerman is back, a different
poet, quieter, older, 'wiser,' more earthly yet still brilliant." That
pretty much sums up Lerman's work today. I don't know what
happened to the Eleanor of the Armed Love fame,
the Eleanor of Come the Sweet By and By, but I have
a sneaking suspicion that that wild, untamed heart is still
ever present, seething within her work. Quiet and reflective
she may have become, with an experienced voice, unsubdued
even after all these years, her writing prowess has been
unleashed and the world need only to watch it unfold one
beautiful word at a time. ~Tryst Editor |
THE
MYSTERY OF METEORS by Eleanor Lerman |
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While most
of us were watching for falling stars, Eleanor Lerman's métier was
rising. As good as any book of poetry you'll ever wish upon, Mystery
of Meteors delivers
poetry. To ask what makes Lerman so special is to remind
ourselves of Neruda who "referred to himself as an 'anti-intellectual,'
as the 'people's poet,' who believed in the power of language,
especially of poetry, to make visible the 'quiet dignities'
of the ordinary person." Lerman is the people's
poet today. She's easily readable, believable and she talks to, not
down to, the reader. In "The Lesson of the Queen," Lerman
writes,
"All women are not all women. When we breathe, it is
just possible that all we are creating is ourselves. So what
can we learn? Perhaps the lesson is in the limits: How human
we are?" These and many other questions that she poses we
must answer for ourselves as the subjects of our own lives. ~Tryst
Editor |
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SEVEN BEATS A SECOND by Allen
Itz |
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Sometimes,
I get tired of all the deep, intellectual, academic, even
the political stuff I read - it can weigh heavily upon a
day: "Dude, it's not that serious." Pick up a lighthearted,
but well-crafted book of poetry and life begins to start
looking up. On the flip side of the grill, Allen Itz gives
us raw, smoky, Texas humor that invites us to remember Sunday
barbecues, hamburgers, apple pies and down-home, downright
good riff to beat the band. Throw in some fabulously talented
artwork and music and you have Seven
Beats a Second. This book is sound proof that poets
can have fun and be witty at once - sometimes raunchy, sometimes
serious, but never without a good sense of timing. Peppered
with some wicked hooks a little tabasco, this book is hot.
~Tryst Editor |
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LIGHTNING
AND ASHES by John Guzlowski |
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Francine
Marie Tolf in "A View from the Loft" teaches, "Some
students think poetry is a kind of code, and that she who
writes the toughest-to-crack code wins. I tell them it's
easy to write a poem that no one understands, but hard to
write one that breaks hearts." The
book that broke my heart was Lightning
and Ashes. Asked to review this book, I found it
an almost impossible task. It's not easy to write about heartbreak
where we feel silence somehow dignifies it. But at the very least,
I must say a few words about the powerful writing in this book;
it is not belabored with metaphors, or vying for the next clever
phrasing; the narration flows naturally and succinctly, the
words hit like lightning. Lightning and
Ashes is a beautifully
haunting, unpretentious and a loving tribute to the author's
parents. I do not say this often or lightly, you
must read this book. A full book review is pending.
~Tryst Editor |
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NEVER LET ME GO
by Kazuo Ishiguro |
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Never
Let Me Go is a
disturbing story that forecasts the inevitable cloning
of humans for the purpose of harvesting their organs. Time
Magazine listed it in their
"All-Time 100 Novels." I'll grant it is an excellent
book but I don't know that it I would go so far as to hail
it as one of the "All-Time-must-read 100 novels," implying
that this book is worthy of such
distinction as a major work. It's maybe too sparsely
written making it feel controlled in the tight reins of
an author who more often than not is too present; and, the
narration is a little dull in places making it unbelievable.
It's unbelievable in ways I can't really expound upon here
due to space limitations; mostly, the narrative tone of the
major character, a young woman, is unconvincing - cold and
detached on one hand and emotionally overwrought in other
places makes her character inconsistent in tone and actions.
Some balanced reviews can
be found at "Complete
Review." ~Tryst Editor |
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ALL THE NAMES by
Jose Saramago |
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As
sparsely as Never Let Me Go was written, in contrasting writing
styles, All
the Names is
lush, over-indulgent in places where sentences run the
length of paragraphs and paragraphs extend into pages (reminiscent
of Proust), Saramago loves big words that take flights
of fancy. The narration is exquisitely rendered, even the
interior dialogue is entirely convincing. The ruminations
of the main protagonist is sometimes hilarious, heartening,
tragic...but most of all, very believable. This is an allegory
similar to Melville's, "Bartleby the Scrivener" in
which our hero is a lonely man obsessed with finding an anonymous
woman with whom he falls in love but never once meets her.
It's a deceptively simple story that takes place in the city's
Central Registry of births and deaths, but ends up being
a complex study of human behavior. This is the book that
should be read. ~Tryst Editor |
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FALL ON YOUR KNEES
by Ann-Marie MacDonald |
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Fall
on Your Knees, written in 1997 made
Oprah's Book Club.
The debut book won numerous book awards, sold
over 300,000 copies worldwide, made MacDonald financially
secure and established her as a "celebrity." But
these aren't the reasons why I read the book (I wasn't even
aware of any of these things when I read the book in 2002). Fall
on Your Knees was recommended to me by a friend and
I started reading it one night and two nights later I finished
it - I couldn't put the book down. MacDonald's
eye for details is astounding, her story telling is lush
and every bit as good as a young Carson McCullers; and if
there is one thing MacDonald is absolutely brilliant at doing,
it's being able to create tension - massive amounts of it.
However, as good as a debut book can be, the ending was the
least satisfactory: Wrapping up too quickly as if to put
the story out of its misery - probably one
of the worst mistakes a writer can make when they've either
run out of patience or out of ideas, and they just tie
it up all too neatly. It's almost as bad as "...And
they lived happily ever after." Otherwise, the book
is a classic, a stunning debut. ~Tryst Editor |
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